CHAT
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Gerald Thomas' chat at UOL - 01/11/2005
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Gerald Thomas' chat at UOL - 19/08/2003
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Gerald Thomas' chat at UOL - 20/02/1998
INTERVIEW
Revista Veja
March, 23, 1994
REVIEWS
The following reviews are image files of original published reviews and articles. Dowload time might be considerable on some of the files.
O Globo, Segundo Caderno
April, 1, 1996
Nowhere Man
Frankfurter Allgemeine
October, 17,1995
Opera Doktor Faust
The Independent
October, 11, 1995 (Republic of Ireland)
Opera Doktor Faust
Folha de S. Paulo
March, 5, 1994
Gal Costa and Gerald Thomas
Time Magazine
August, 24, 1992
Serious Fun Festival: The Flash and Crash Days
The New York Times
July, 12, 1992
The Flash and Crash Days
The New York Times
July, 20, 1989
Glass's Environmental Opera Puzzles Rio
The New York Times
October, 2, 1988
Avant-Garde Theater in Brazil
BIBLIOGRAPHY
"O Encenador de Si Mesmo"
(The staging of the Self)
Teatro Brasileiro, História e Crítica,
Published by Silvia Fernandes and Jaco Guinsburg,
Editora Perspectiva, São Paulo, Brasil
Critical essays by and about Gerald Thomas.
Contributors include Jaco Guinsburg, David George, Wladimir Krisisnki (Liberation), Haroldo de Campos, Flora Sussekind, Gerd Bornheim, Sylvia Fernandes.
"Flash and Crash Days: Brazilian Theater in the Post-Dictatorship period"
Published by David George
This book by David George is a magnificent review of Brazil's post dictatordship theater and it focuses on Gerald Thomas's art in particular. His incredible perception of Gerald's theater is one of the most sophispticated in existance and his ability to describe it is such that it almost brings the live performce to the reader. A must!
"Gerald Thomas em Cena, Memória e Invenção"
(Gerald Thomas on Stage, Memory and Invention)
Published by Silvia Fernandes,
Editora Perspectiva,São Paulo,Brasil
Silvia Fernandes studies three distinct phases of Gerald Thomas' work:
-"Mattogrosso", opera by Philip Glass and Gerald Thomas, (1989) premiered at Rio de Janeiro Opera House (Theatro Municipal)
-"M.O.R.T.E." (1990) Movimentos Obsessivos e Redundantes para Tanta Estetica (Obsessive and Redundant Movements for so much Aesthetics), premiered in Brazil and Taormina Festival, Sicily and Zurich
-"The Flash and Crash Days" (1991), premiered in Brazil, Lincoln Center - New York, Hamburg, Lausanne, Cologne and Copenhagen.