português 

NEWS ARTICLES

AMERICAN PRESS

Getting to the Bottom of Brazil's Gerald Thomas, Opera Review, June 25, 2005

The Case of the Operatic Moon, New York Times, November 11, 2003

Serious Fun Festival: The Flash and Crash Days, TIME Magazine, August 24, 1992

The Flash and Crash Days, The New York Times, Sunday, July12,1992

Glass's Environmental Opera Puzzles Rio, The New York Times, July 20, 1989

Avant-Garde Theater in Brazil, The New York Times, October 2, 1988

The Great Bleak Beauty of Beckett, New York Post, March 1985

A Figurative Language, PRINT Magazine, Septemer 1983

BRAZILIAN PRESS

Gerald com Humor, Jornal do Brasil, Mackensen Luiz, August, 2005

A Festa de Talento de Marcos Nanini, O Globo, Roberta Oliveira, August, 2005

EPOCA, Q& A with Gerald Thomas, May, 2005

Trindade Irreverente, May, 2005

BRAVO, May, 2005

Gerald reinventa Thomas, O Globo, May 16, 2005

"Favela Rising" revela alternativa do combate ao tráfico, Folha de Sao Paulo, May 16, 2005

Nanini ilumina a angústia de Gerald Thomas, Sergio Salvia Coelho, Folha de Sao Paulo, 7 Maio, 2005

Começo, meio e fim, Marcelo Rubens Paiva, Estado de Sao Paulo, 7 Maio, 2005

Um circo de rins, fígados e informações confidenciais, Contardo Calligaris, Maio, 2005

Gerald Thomas lança Nanini em pesadelo, Folha de Sao Paulo, April 28, 2005

O Teatro e seu duplo, Folha de Sao Paulo, April 28, 2005

Os Estados Desunidos da mente, Folha de Sao Paulo, March 11, 2004

Ancora no Peito, Folha de Sao Paulo, Jan. 29, 2004

Gerald Thomas' Frontal Nude Protest

Gal Costa and Gerald Thomas, Folha de S. Paulo, Saturday, March 5, 1994

O século em pedaços de Gerald, Jornal do Brasil, August 19, 2000

EUROPEAN & LATIN AMERICAN PRESS

El teatro ya no interesa, El Clarin , June 24, 2005

A Director's Bottom Line, London Times, November 27, 2003

Full Moon and a Night at the Opera in Rio, Herald Tribune, November 12, 2003

A Fright at the Opera, The Guardian, November 12, 2003

Shock, Success and Beckett, The Graduate School of Journalism, October 27, 2000

Aus der Wüste wurde ein Studio, Kurier, 1998

Die Macth der Manipulation, Kleine Zeitung, Ocotober 5, 1998

Aqui sou um pop star, VEJA, March 23, 1994

Thomas l'enchanteur, Journal de Genève, September 7,1992

Un mâitre de l'avant-garde, 24 Culture, September 7,1992

Un visionnaire de la scène, 24 Culture, September 5,1992

Sous l'aile de Wagner, Journal de Genève, August 28,1992

NEW REVIEWS

O Mall-estar na era do pós-tudo, Antonio Quinet

Anchorpectoris (The United States of the Mind) , Village Voice, March 10, 2003

Doktor Faust, Frankfurter Allgemeine, October 17, 1995

Doktor Faust,The Independent, Wednesday, October 11, 1995

Stage:"Strange Away", Beckett at La Mama, NY Times

The Illustrated Beckett, Village Voice

PROGRAMS

Um Circo de Rins e Fígados, 2005

Um Circo de Rins e Fígados (2), 2005

The Flash and Crash Days, Lincoln Center, NY 1992

Narcissus, Bühnen Graz, NY 1992

Perseus und Andromeda

Tristan und Isolde, Deutches National Theater Weimar

Wiener Fest Wochen, 1989

Warten auf Godot, Bayerisches Staatsschauspiel, Cuvilliés-Theater




CHAT
Check out
Gerald Thomas' chat at UOL - 01/11/2005

Check out
Gerald Thomas' chat at UOL - 19/08/2003

Check out
Gerald Thomas' chat at UOL - 20/02/1998

INTERVIEW
Revista Veja
March, 23, 1994

REVIEWS
The following reviews are image files of original published reviews and articles. Dowload time might be considerable on some of the files.

O Globo, Segundo Caderno
April, 1, 1996

Nowhere Man

Frankfurter Allgemeine
October, 17,1995

Opera Doktor Faust

The Independent
October, 11, 1995 (Republic of Ireland)

Opera Doktor Faust

Folha de S. Paulo
March, 5, 1994

Gal Costa and Gerald Thomas

Time Magazine
August, 24, 1992

Serious Fun Festival: The Flash and Crash Days

The New York Times
July, 12, 1992

The Flash and Crash Days

The New York Times
July, 20, 1989

Glass's Environmental Opera Puzzles Rio

The New York Times
October, 2, 1988

Avant-Garde Theater in Brazil

BIBLIOGRAPHY

"O Encenador de Si Mesmo"
(The staging of the Self)
Teatro Brasileiro, História e Crítica,
Published by Silvia Fernandes and Jaco Guinsburg,
Editora Perspectiva, São Paulo, Brasil
Critical essays by and about Gerald Thomas.
Contributors include Jaco Guinsburg, David George, Wladimir Krisisnki (Liberation), Haroldo de Campos, Flora Sussekind, Gerd Bornheim, Sylvia Fernandes.

"Flash and Crash Days: Brazilian Theater in the Post-Dictatorship period"
Published by David George
This book by David George is a magnificent review of Brazil's post dictatordship theater and it focuses on Gerald Thomas's art in particular. His incredible perception of Gerald's theater is one of the most sophispticated in existance and his ability to describe it is such that it almost brings the live performce to the reader. A must!

"Gerald Thomas em Cena, Memória e Invenção"
(Gerald Thomas on Stage, Memory and Invention)
Published by Silvia Fernandes,
Editora Perspectiva,São Paulo,Brasil
Silvia Fernandes studies three distinct phases of Gerald Thomas' work:
-"Mattogrosso", opera by Philip Glass and Gerald Thomas, (1989) premiered at Rio de Janeiro Opera House (Theatro Municipal)
-"M.O.R.T.E." (1990) Movimentos Obsessivos e Redundantes para Tanta Estetica (Obsessive and Redundant Movements for so much Aesthetics), premiered in Brazil and Taormina Festival, Sicily and Zurich
-"The Flash and Crash Days" (1991), premiered in Brazil, Lincoln Center - New York, Hamburg, Lausanne, Cologne and Copenhagen.