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Brand.New
world:
Tell me what you buy and
I tell you who you are
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Thousand
of faces "marked" in front of
the Brand.New entrance door
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"I've
bought five pieces of the same brand and none
of them gives me problems ."
"I've bought this same brand for 40 years."
"Why are we crazy about brands and labels?
"
"Find out the true about some well known
brands and what they tell about you."
"This exhibition contains information about
well known brands which must surprise you."
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Thousand
of faces "marked" in front of
the Brand.New entrance door
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There
aren't slogans and effect phrases missing. They
fulfill everybody's mind, inhabitants of the contemporary
world. Finally, this is one of the marketing "bigwigs".
"This is what it is": we are bombarded
by communication of brand images of all kinds,
through words, sounds and images. We can't run
away: "Just do it"!
With
curatory of Jane Pavitt and Gareth Williams, the
Brand.New exhibition takes something from this
universe to one of the rooms in the Victoria
and Albert Museum in London. Rather visited,
reaffirms the great interest of the public from
the consumption world - as real as fantastical
- what surrounds it.
At
first, the Brand Field installation, from the
designer Thomas Heatherwick, receives the visitor
with thousands - yes, thousands - of trimmed fragments
of advertisements, packages, bags, labels, tags.
In the huge room, a bit of life as it is on the
streets, supermarkets, wardrobes, kitchen or bathroom
wall cabinets: "marked".
A
brand is much more than a name or a logo: in the
contemporary world, labels have complex identities,
created by marketing , communication and design
teams. They constitute a subjective universe,
full of personality. The product itself? Many
times, it is what is least important, in favor
of one concept strategically created around it.
And so, as the company Interbrand Consultancy
affirms, present in the exhibition, "anything
or anyone is capable of becoming - or be become
- a brand".
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Inside
each can of beans a different universe
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Examples
aren't missing: you just have to pay attention
to the political world or from celebrities or
even sleep with the phrase from the young and
cult English artist Damien Hirst: "I became
a brand". In other words: what takes your
name dismisses better explanations. Charity, political
organizations and even nations, make and present
themselves as brands. From social, cultural, political,
economical e philosophical, postures and a lot
of study on psychology of the consumer, they communicate
their context through the midia and, in some way,
sell themselves. Researchers affirm that not far
from now , even the genes - the human being potential
- will have logos . We have to think about and
the exhibition continues, covering some crucial
points: from history to perspectives; from products
to profiles; from concepts to subversion.
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Photo
by Graham Brandon for V&A
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A
second environment presents displays dedicated
to uncountable products and trade marks, well
known by the public. The star - who could it be?
- is Coca Cola. Created in 1886, is an example
of brand which succeeded - well succeeded - and
won the world. In 1917, more than 300 similar
names were trying to follow the same path of success
and establish themselves. Some were prosecuted
and others subsist, but neither Universal Cola
nor Christo Cola could obtain the same miracle
. In 1950, its growing phenomenon was such that
it was called "Coca-Cola Colonization"
. Its inventor, Dr. John S. Pemberton declared:
"if I had US$ 25,000.00, I would spend US$
24,000.00 in advertisements and the rest making
Coca Cola."
Following,
the sector Personalizing the brands only emphasizes
the history which has already been told: seven
small rooms show products representing strong
concepts worked by contemporary brands, such Authority,
Friendship, Loyalty and Consciousness. It isn't
by coincidence that fashion is the purest image
of the other three: Authenticity, with jeans Levi's
to all proves; Status, through the imposingness
of Burbery, Chanel, Dior, Gucci, Louis Vuitton
and Versace; and Irreverence, in the frontiers
of the communication of Benneton, French Connection
and Diesel. Fashion brands know how to make themselves!
Live in the bodies, dress their own personalities.
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Pepsi
Cola's cricket balls, sold in India.
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So,
Marking personalities, the next big room, talks
to the previous environment. Now on the consumers
perspective, a series of short feature films reproduces
individual answers to the brands. Microuniverses
surrounded by labels all around. Barbie, Nike,
Adidas, Guess, Tesco, Boots, Gap, Sony, Apple,
Nokia, Muji, Hello Kitty
"Why this
one and not that other one?" Personal perceptions
and expectations are pure food for the success
of the products. At the same time, defines part
of our own identity. Contemporary oracle: "tell
me what you buy and I'll tell you who you are!"
Finally,
after the unavoidable sensation of really be "marked
cattle", the last environment is a blow of
contravention. Subverting brands relieves with
a good humored series, of examples more or less
"against": forgeries, copies, appropriation,
re-readings and parodies.
Copies
impress by the similarity, re-readings are funny
in their ambitious. And as appropriation, is interesting
the Pepsi Cola' case, total success in India.
The phenomenon is such, that makes to emerge Pepsi
shoes, Pepsi pregador de roupa, Pepsi cricket
balls - all of that manufactures by small local
companies and totally out of control from the
big soft drink brand.
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T-shirt
making a parody of Nike, exposed in the
subversion room.
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Other
more artistic manifestations subvert logos and
slogans and anarchize the wonderful world of publicity,
satisfying the most critic visitor, with a hint
of defiance and a revolutionary sign. Very radical,
the Adbusters, www.adbusters.org Canadian group
that acts in several senses, has as proposal "
make to think about the consumption culture".
Through publishing, "anti TV commercials,
public performances and doing the Buy Nothing
Day - a day in the year when there are manifestations
against consumption - They affirm that, facing
the marketing and midia power "the product
is you". And advise:
"there was a time when we used to buy what
we need. Now, we don't need much, but we buy for
other reasons: to impress one another, to fulfill
lacks, to spend time. 20% of the world population
uses 80% of their natural resources. Our excess
of consumption is killing the planet.
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Adbuster
manifest: Buy nothing Day
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Leaving
the exhibition, obviously, the visitor drops into
the Brand.New store, where he can acquire the
catalog, souvenirs, post cards and a lot more
products of companies which are exposing in there.
The possibility of "consumption" couldn't
be missed.
- Workshops of photographs, conferences and lectures
directed to students, teachers and professionals
of the area, are still scheduled during December
and January. More information through the site
www.vam.ac.uk
(unlosable!)
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Exhibitions Courts - Room 39 - Victoria and Albert
Museum Cromwell Road, South Kensigton - South
Kensington underground. Until 14 of January, 2001
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