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Zandra
Rhodes
by
Leda Senise*
The
Women's Library has promoted a cycle of lectures
with meaningful female names of several professional
areas: "TurningPoints".
Zandra Rhodes' name was a choice inspired
in the fashion design area.
Graduated
in textile design by the Royal Academy of Arts
in 1964, Rhodes was distinguished in the Londoner
vanguard in the 60's and 70's by the vibrant and
eccentric brightness of her creations. She dressed
rock stars, artists, princesses and plebeians,
joining sensibly her extravagant personality to
her differentiated clients. The sweet Natalie
Wood and the elegant and discreet Princess Diana
were her clients.
Sensitive
traveler, her creations were inspired in the nature
and in the culture of the places she used to visit.
From the Red Indians, passing through Mexico and
India, Zandra, a very good drawer created textile
drawings, shapes and colors extremely sophisticated,
which immediately transformed the models of her
collections in special pieces.
She
escaped from the huge industrialization and from
the fashion marketing dictatorship becoming a
personality, not a brand. To have one Zandra Rhodes
is forever.
At
the beginning of her career, unhappy with the
use her employees made of her drawings ,she decided
to draw her own models and opened in the 70's
her first store on Fulham Road ( according to
her a real commercial failure), obligatory point
for the moderns and originals from all over the
world.
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Image
of Zandra Rhodes in her homepage. Copyright
2000 Zandra Rhodes Publications
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Rhodes
trusts the differentiation and in the originality
as a personal style and creation. She is a great
woman but she isn't a big woman. In her lecture
she dressed on, what certainly was an authentic
Jean Muir old gold. Her hair which had already
been red, orange and green , today is pink. Her
accessories, all artistic pieces, are huge and
in plural: necklaces, brooches, earrings, armbands
and rings. In her hair, tied in a knot, an arrangement
of flowers and beats both pink and brilliant in
a Mexican/Japanese inspiration! And Zandra Rhodes
has 60 years old!!
How
to define this figure? Delightful!
The
way of originality certainly isn't one of the
easiest. Zandra talked generously about her international
career and advised with her deep and paused voice:
"-Don't
waste your time with whom doesn't want you."
Showed
slides of her collections and of her most recent
turning points: the opera "The Magic Flute"
that she drew for San Diego Opera and The Fashion
and Textile Museum: an impressive task.
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OThe
Fashion and Textile Museum's building in
Zandra Rhodes' site . Copyright 2000 Zandra
Rhodes Publications
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Worried
with the preservation of the creations from British
designers from today, Rhodes has already built,
with the Mexican architect Ricardo Legorreta's
signature, a colorful building which should be
inaugurated with 3 simultaneous exhibitions in
2002.. Besides being documentation and fashion
preservation organ it will also be a center of
graduation and interchange for fashion students
and professionals of whole world.
The
beautiful building stands up in south of London,
not far from Tate Modern , the "the place
to be" in the following years. It is four
years of tireless and enviable work. How did she
get it? Rhodes answers frankly with an ironic
touch.
"- Asking money to the rich..."
It
is worth to visit her site. Rhodes is an example
of determination and credibility which should
serve as inspiration for the ones who believe
in making fashion isn't simply renders to the
trends, almost always commercial and few originals,
but making fashion can be also making Art.
Fashion
and Textile Museum - 83 Bermondsey Street - London,
SE1 3XF
Leda
Senise is
a multidisciplinary artist in Scenic Arts and
Communication. She has been working since the
beginning of her career in publicity and arts
as
an editor, as a marketing and communication projects
maker. She was responsible for Forum's communication
and marketing project as a whole in its first
five years, she passed by Fiorucci and Zoomp,
among others. She has created shows, catwalks,
exhibitions, campaigns, differentiated communication
and trade processes for fashion brands where she
worked. She directed art and costumes for hundreds
of advertisements. She has dressed all our movie
and theatre actors and made opera and ballet scenarios
and costumes for the Municipal Theatre in Sao
Paulo, Guaíra Teatre in Curitiba, Municipal
Theatre in Rio de Janeiro. She walked around the
world privately and as a scholar student with
an allowance given by the British Council, interested
in creation, costume storage and epoch productions
and in the uncountable creation and technological
intersections in these areas. At the moment, she
develops research about language and formats in
cinema and theatre in London, research which will
serve as the base for her doctorate thesis at
"Universidade de São Paulo".
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