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Argentina
|
| MUNDO GRÚA, by Pablo Trapero |
| EL VIENTO SE LLEVO LO QUE, by Alejandro Agresti |
|
Argentina/
Mali
|
| EL JARDIN DE LOS PERFUMES, by Pablo Cesar |
|
Argentina
/Italy / France
|
| GARAGE OLIMPO, by Marco Bechis |
|
Austria
|
| FRANCE, HERE WE ARE, by Michael Glawogger |
| THE PORT OF LAST RESORT, by Paul Rosdy, Joan Grossman |
| THE VENICE PROJECT, by Robert Dornhelm |
|
Austria/
Switzerland/ Germany
|
| HEROES IN TYROL, by Niki List Bélgica |
|
Belgium
|
| THE QUARRY, by Marion Hänsel |
| CYCLE OF TRIFLES, by Ana Torfs |
| HOWLING FOR GOD, by Dan Alexe |
|
Belgium
/ France/ République Démocratique du Congo
|
| MOBUTU, ROI DU ZAIRE, by Thierry Michel |
|
Brazil
|
| THE CHARCOAL PEOPLE OF BRAZIL, by Nigel Noble |
| ORIUNDI, by Ricardo Bravo |
| O DIA DA CAÇA, by Alberto Graça |
| SÃO JERÔNIMO, by Júlio Bressane |
| UM CERTO DORIVAL CAYMMI, by Aluísio Didier |
| NO CORAÇÃO DOS DEUSES, by Geraldo Moraes |
| CINE MAMBEMBE, O CINEMA DESCOBRE O BRASIL, by Laís Bodanzky e Luiz Bolognesi |
| ESTA NOITE ENCARNAREI NO TEU CADÁVER, by José Mojica Marins |
|
Brazil/
France
|
| O PRIMEIRO DIA, by Walter Salles e Daniela Thomas |
|
Brazil/
Switzerland
|
| SOBRAS EM OBRAS, by Michel Favre |
|
Canada
|
| THE FIVE SENSES, by Jeremy Podeswa |
| BEEFCAKE, by Thom Fitzgerald |
|
Chile/
Spain/ France
|
| EL ENTUSIASMO, by Ricardo Larraín |
|
China
|
| NOT ONE LESS, by Zhang Yimou |
|
China/
Italy
|
| SEVENTEEN YEARS, by Zhang Yuan |
|
Colombia/France
|
| BREATH OF LIFE, by Luis Ospina |
|
Czech
Republic
|
| RETURN OF THE IDIOT, by Saša Gedeon |
| THE PAST, by Ivo Trajkov |
| BLACK AND WITHE IN COLOUR, by Mira Erdevicki-Charap |
|
Ecuador
|
| RATS, MICE, PILFERES, by Sebastián Cordero |
|
Egypt/
France
|
| EL AKHAR, by Youssef Chahine |
|
England
|
| BEDROOMS AND HALLWAYS, by Rose Troche |
| BEAUTIFUL PEOPLE, Jasmin Dizdar |
| SIMON MAGUS, by Ben Hopkins |
| MY NAME IS JOE, by Ken Loach |
| MARTHA MEET FRANK, DANIEL & LAURENCE, by Nick Hamm |
| CAREER GIRLS, by Mike Leigh |
| THE WAR ZONE, by Tim Roth |
| AUSCHIWITZ - THE FINAL WITNESS, by Sheldon Lazarus |
|
Finland
|
| THE REAL MCCOY, by Pekka Letho |
| THE SACRIFICE - UHRI, by Markku Lehmuskallio, Anastasia Lapsui |
| JUHA, by Aki Kaurismäki |
|
France
|
| L'HUMANITÉ, by Bruno Dumont |
| FAREWELL, HOME SWEET HOME, by Otar Iosseliani |
| HOME SWEET HOME, by Otar Losseliani |
| NOS VIES HEUREUSES, by Jacques Maillot |
| SOMBRE, by Philippe Grandrieux |
| THE NEW EVE, by Catherine Corsini |
| LOVERS, by Jean-Marc Barr |
| LIVING IN PARADISE, by Bourlem Guerdjou |
| BEYOND THE FOREST, by Gulya Mirzoeva |
| THE SILENCE OF THE ANGELS, by Olivier Mille |
| LE POULPE, by Guillaume Nicloux |
| CRIMINAL LOVERS, by François Ozon |
| KARNAVAL, by Thomas Vincent |
|
VOYAGES, by Emmanuel Finkiel |
| TAKE 2, by Siegfried |
| GODARD A LA TÉLÉ: 1960 - 2000, de Michel Royer |
|
France/
Canada
|
| AROUND THE PINK HOUSE, by Joana Hadjithomas e Khalil Joreige |
|
France/
Germany/ Belgium/ Austria/ Israel
|
| THE SPECIALIST, by Eyal Sivan |
|
France/
Italy
|
| SICILIA!, by Danièle Huillet e Jean-Marie Straub |
|
France/
Netherlands
|
| BALKAN BAROQUE, by Pierre Coulibeuf |
|
Germany
|
| NIGHT SHAPES, by Andreas Dresen |
| THE EINSTEIN OF SEX, by Rosa von Praunheim |
| NINA HAGEN = PUNK + GLORY, by Peter Sempel |
| FRÜCHTCHEN - AM ÄQUATOR IST ALLES MÖGLICH, by Herbert Brödl |
| LOLA RENNT, by Tom Tykwer |
| FAUST - EINE DEUTSCHE VOLKSSAGE, by Friedrich Wilhelm Murnau |
| OI! WARNING, by Dominik and Benjamin Reding |
| AIMEE & JAGUAR, by Max Färberböck |
|
Germany/
England
|
| MEIN LIEBSTER FEIND, by Werner Herzog |
|
Hungary
|
| CHINESE DEFENSE, by Gábor Tompa |
|
Iran/
France
|
| THE WIND WILL CARRY US, by Abbas Kiarostami |
|
Islândia
|
| POP IN REYKJAVIK, by Ágúst Jakobsson |
|
Israel
|
| YANA'S FRIENDS, by Arik Kaplun |
|
Israel/
France
|
| KADOSH, by Amos Gitaï |
|
Italy
|
| VIOL@, by Donatella Maiorca |
| COSÌ RIDEVANO, by Gianni Amelio |
| I GIARDINI DELL'EDEN, by Alessandro D'Alatri |
| APPASSIONATE, by Tonino by Bernardi |
| SONO POSITIVO, by Cristiano Bortone |
| LUCHINO VISCONTI, by Carlo Lizzani |
| A ARVORE DO PICO, by Francesca Archibugi |
|
Japan
|
| KIKUJIRO, by Takeshi Kitano |
| MINAZUKI, by Mochizuki Rokuro |
| KEIHO, by Yoshimitsu Morita |
| BULLET BALLET, by Tsukamoto Shinya |
| BEAUTIFUL SUNDAY , by Tetsuya Nakashima |
| THE STORY OF PUPU, by Kensako Watanabe |
| JAM SESSION - KIKUJIRO NO NATSU KOSHIKI KAIZOKUBAN, by Shinozaki Makoto |
| AFTER THE RAIN, by Takashi Koizumi |
|
Kazakhstan
|
| 1997: RUSTEM'S NOTES WITH DRAWINGS, by Ardak Amirkulow |
|
Korea
|
| LIES, by Jang Sun Woo |
|
Lebanon/
France
|
| WEST BEYROUTH, by Ziad Doueiri |
|
Mexico
|
| EL CORONEL NO TIENE QUIEN LE ESCRIBA, by Arturo Ripstein |
|
Netherlands
|
| NO TRAINS, NO PLANES, by Jos Stelling |
| FAREWELL PAVEL, by Rose Marie Blank |
| THE MAKING OF A NEW EMPIRE, by Jos by Putter |
|
Norway
|
| ABSOLUTE HANGOVER, by Petter Naess |
|
Pakistan/
England
|
| JINNAH, by Jamil Dehlavi |
|
Poland
|
| A WEEK IN THE LIFE OF A MAN, by Jerzy Stuhr |
|
Portugal
|
| AS BODAS DE DEUS, by João César Monteiro |
| ZONA J, by Leonel Vieira |
|
Portugal/
France/ Spain
|
| LA LETTRE, by Manuel by Oliveira |
|
Russian
Federation
|
| MOLOCH, by Alexander Sokurov |
| TOTALITARIAN ROMANCE, by Vyacheslav Sorokin |
|
South
Africa / England
|
| A REASONABLE MAN, by Gavin Hood |
|
Spain
|
| THE GIRL OF YOUR DREAMS, by Fernando Trueba |
| MURNAU'S FIVE FAUSTS BY F. W. MURNAUS, by Fernando Trueba |
|
Spain/
France
|
| BETWEEN YOUR LEGS, by Manuel Gómez Pereira |
|
Sweden
|
| HOMO SAPIENS 1900, by Peter Cohen |
|
Switzerland
|
| TAMARO PIETRI E ANGELI, by Villi Hermann |
|
Taiwan
|
| VIVE L'AMOUR, by Tsai Ming-liang |
|
Tajikistan/
Korea
|
| THE FLIGHT OF THE BEE, by Jamshed Usmonov e Byoung Hun Min |
|
Turkey/
Netherlands/ Germany
|
| JOURNEY TO THE SUN, by Yesim Ustaglu |
|
USA
|
| SPEEDY BOYS, by James Herbert |
| SOMETIME IN AUGUST, by Caio Ribeiro |
| THE AUTEUR THEORY, by Evan Oppenheimer |
| BETTER LIVING THROUGH CIRCUITRY, by Jon Reiss |
| BIRDDOG, by Kelly Baker |
| ROCK 'N' ROLL FRANKENSTEIN, by Brian O'Hara |
| PUPS, by Ash |
| ENDLESS SUMMER, by bruce Brown |
| FATHER ROY: INSIDE THE SCHOOL OF ASSASSINS, by Robert Richter |
| THE SCHOOL, by Robert Richter |
| SIX DAYS IN ROSWELL, by Timothy B. Johnson |
| 20 DATES, by Myles Berkowitz |
| SEUS AMIGOS, SEUS VIZINHOS, by Neil Labute |
| HITCHCOCK, SELZNICK & THE END OF HOLLYWOOD, by Michael Epstein |
| CRAZY IN ALABAMA, by Antonio Banderas |
| HAPPY, TEXAS, by Marc Illsley |
| GHOST DOG: THE WAY OF THE SAMURAI, by Jim Jarmusch |
| DREAMCATCHER, by Ed Radtke |
| GENGHIS BLUES, by Roko Belic |
| SPLENDOR, by Gregg Araki |
| JAKOB THE LIAR, by Peter Kassovitz |
| FIGHT CLUB, by David Fincher |
|
Venezuela
|
| A LA MEDIA NOCHE Y MEDIA, by Mariana Rondón e Marité Ugás |
|
RETROSPECTIVA
SEIJUN SUZUKI
|
| GO TO HELL, HOODLUMS! (1960) |
| THE YOUNG REBEL (1963) |
| FLOWER & RAGE (1964) |
| OUR BLOOD WILL NOT FORGIVE (1964) |
| JOY GIRLS (1965) |
| ELEGY FOR QUARREL (1966) |
| TOKYO DRIFTER (1966) |
| BRANDED TO KILL (1967) |
| ZIGEUNERWEISEN (1980) |
| KAGEROZA (1981) |
|
RETROSPECTIVA
CINE MEXICANO
|
| AVENTURERA, by Alberto Gourt |
| VíCTIMAS DEL PECADO, by Emilio Fernández |
| RÍO ESCONDIDO, by Emilio Fernández |
| SALÓN MÉXICO, by Emilio Fernández |
| PERDIDA, by Fernando A. Rivero |
| LAS ABANDONADAS, by Emilio Fernández |
| LA MUJER DEL PUERTO, by Arcady Boytler |
| DOÑA BÁRBARA, by Fernando Fuentes |
| TLAYUCAN, by Luis Alcoriza |
| LA OTRA, by Roberto Gavaldón |
| DOÑA PERFECTA, by Alejandro Galindo |
| EL REBOZO DE SOLEDAD, by Roberto Gavaldón |
|
CURTAS
|
|
Germany
|
| DUST (SKONI), Giorgis Fotopoulos |
| HANDLE WITH CARE, by Susane Buddenberg e Lorenz Trees |
| SCARMOUR, by Sikander Goldau |
|
Argentina
|
| GAME LOVERS PLAY, Teresa Constantini |
|
Australia
|
| PURGATORY, by M. Frank |
| FLOWERGIRL, by Cate Shortland |
|
Austria
|
| ABUSE WILL BE FINE, by Ulrike Schweiger |
|
Belgium
|
| LOS TAXIOS, by Lars Damoiseaux |
|
Brazil
|
| BAGATA, by Lucas H.P. Margutti |
| MINHOCA NA CABEÇA, by Alexandre Geifman |
| ELA PERDOA, by Rachel Monteiro |
| LE VOYER, by Cristiana Fontes |
| VOLTE SEMPRE, ABBAS!, by Leon Cakoff e Renata by Almeida |
| RETRATOS NO PARQUE, by Evaldo Mocarzel |
| ILHA DAS FLORES, by Jorge Furtado |
| O DIA EM QUE DORIVAL ENCAROU A GUARDA, by de Jorge Furtado e José Pedro Goulart |
| DEUS E X - MACHINA , by Carlos Gerbase |
| HOMEN SÉRIO, by Dainara Toffoli e Diego de Gogoy |
| VICIOUS, by Rogério Ferrari |
|
Canada
|
| THEY CUT BABIES, DON'T THEY, by Nigel Hunt |
|
USA
|
| DAYLIGHT HOURS ONLY, by Tamara Tracz |
| THE PUZZLE, by Ian Kessner |
| SOME COMMON THINGS THAT HAPPEN TO CORPSES, by Molly O'Brien |
| THE CEREMONY, by Kerry Haynie |
| PSYCHO TOO, by Andrew Levy |
| GRIND, by Greg Eliason |
| TURKEY. CAKE, by Sean Whalen |
| WHO, ME?, by Dane Picard |
|
France
|
| SCALP!, by Patrick Bagot |
| ATTENTION!, by Stéphane Schohn |
| COMPROMIS, by Sébastien Sort |
| STAND BY, by Jean-Luc Perreard |
| KRACIVY PARIJ, by Raphäel Girardot |
| LA SOUPE, by Antoine Santana |
| THE BEACH CAFÉ (LE CAFÉ DE LA PLAGE), by Mohamed Ulad-Morand |
| QUAND LE SOLEIL FAIT TOMBER LES MOINEAUX, by Hassan Legzouli |
| L'INTERVIEW, by Xavier Giannoli |
|
England
|
| INSIDE-OUT by Tom and Charles Guard |
|
Italy
|
| TÍPOTA, by Fabrizio Bentivoglio e Peppe Servillo |
|
Russian
Federation
|
| STOP (OCTAHOBKA), by Artem Mikhalkov e Ilya Khrzanovsky |
|
Switzerland
|
| THE NIGHT, by Jérôme Porte |
| THE COOKIE THIEF, by Korinna Sehringer |
| FIN DE SIÈCLE, by Jann Preuss |
