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29/10 19:15 CINESESC
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03/11 14:00 CINESESC
24/10 21:30 HOYTS GENERAL CINEMA - GUARULHOS



     Paris today - hard, severe, without pardon. Nicolas is 20 years old and is a young dilettante with a capacity for the most diverse fields: mathematics, physics, history of art, and music.

     He grew up behind the walls of a great property belonging to his parents, protected from everything and everyone, without any knowledge of the world. However, age advanced, at least in appearance, and with age, a desire to stretch his wings. No sooner had he become 19 years old, and he left home, denying his roots and traditions, and took to the streets.

     Work as a window washer and dish washer provided him with enough only to survive. His friends are people who live on the streets with him. Life is hard enough, yet it has a certain charm. One day, with his friends, he sets out on a risky adventure.

     He and Pierre wind up in prison. When he is released, his mother offers him a consolation prize: a new car. The boy rejects the gift and returns to his former neighborhood. Things, however, are no longer the same. He has no other choice but to return home: his father has disappeared leaving no trace, and he is the eldest son.

   
 
Director : Otar Iosseliani
Screenplay : Otar Iosseliani
Cinematographer : William Lubtchansky
Edition : Otar Iosseliani, Ewa Lenkiewicz
Cast : Nico Tarielashvili, Lili Lavina, Philippe Bas, Stephanie Hainque
Producer : Martine Marignac
Production : Pierre Grise Productions (France), Carac Film (Switzerland), Alia Film (Italia), Instituto Luce (Italia)
World Sales : Celluloid Dreams 24 rue Lamartine, 75009 Paris, France Tel.: 33 1 49 70 0370 Fax: 33 1 49 70 0371
  Col., 118 min., 1999
 

Born in Tblisi, capital of Georgia, in 1934. He directed his first short film in 1958, Akvarel, and graduated in film directing in 1961. At this time, his medium-length film Aprel was forbidden by the censors, which obliged him to work as a sailor and laborer in a foundry. Even so, he managed to make his first feature in 1966, The Fall of Leaves, Critics Prize at the Cannes Film Festival/68. He won another Critics Prize, this time in Berlin, for Pastorale (1967); however, he continued to have problems with censorship in his country. At the start of the eighties, he became an exile in France where he made excellent films: Les Favoris de la Lune, (selection of the 9th Mostra), Et La Lumière Fut (selection for the 14th Mostra), and Brigands (selection for the 20th Mostra).