FRÜCHTCHEN - AM ÄQUATOR IST ALLES MÖGLICH
Germany

16/10 12:00 CINESESC
19/10 21:45 MIS - AUDITÓRIO
21/10 17:30 SALA CINEMATECA


    The third part of the "Ciclo do Equador", by director Herbert Brödl, consisting of Jaguar and the Rain and Goldland. The film is a blend of a fairy tale, a burlesque story, a documentary, and a road movie. On the Island of St. Thomas, off the west coast of Africa and precisely on the Equator, an old lady, Ma, is on her death bed. She calls for her son But, who is in the south of the island, sitting on the beach.

     Her loud cry takes shape in the form of a giant breadfruit, six feet tall, that falls to the ground before But. He realizes that this is indeed his mother's call, and sets off to find her, taking with him a blind uncle, two cousins and their children, and the colossal fruit.
 

     They arrive at St. Thomas where they will have to cross all of the island to see Ma. On their way, they come across the most varied types: old Vegas, a skillful poker player who helps raise money for the undertaking, one-legged Nené who manages to produce a conveyance to carry the fruit, and cinnamon peeler Jul, who offers spices to make rice pudding, a favorite dish for Ma. News of the giant fruit spreads rapidly, feared and coveted by the inhabitants.

      But and his odd group face danger, turbulence, magic, and temptation, yet make it through to their destination.

   
 
Director : Herbert Brödl
Screenplay : Herbert Brödl
Cinematographer : Volker Tittle
Edition : Katrin Köster
Cast : João Quaresma, José Manuel Noronha, Jacinto Alfonso, Simão de Sousa
Producer : Herbert Brödl
Production : Baumhaus Film
World Sales : Baumhaus Film Paul Nevermann Platz 1, 22765 Hamburg, Germany Tel.: 49 40 380 0320 Fax: 49 40 389 8782
  Col., 115 min., 1999
 

Born in 1949 in Pölten, in Austria. He studied philosophy at the University of Vienna. From 1970 to 1973, he worked as author and director for films for Austrian TV, and in 1974, moved to Hamburg. He wrote several scripts for fiction features and directed his first film Zivilisierte Tropen in 1976. It was as from 1982, however, that he turned his gaze to other lands: he founded Baumhaus, his own producer company, and began to make films on Africa and on his great passion, Brazil, such as for instance, Transe Atlântico, Canoa do Peixe-Cobra, and Goldland.