With a poem consisting of twenty names of towns in Minas Gerais, Brazil, the film gains in rhythmic body and is open to the unforeseen and to the improvised. Intrigued by the names of these towns, the team for the first time goes through each of them. In a movement of immersion and submersion, the documentary is made by means of two layers of narrative - one consisting of the history of the poem and the other, of commonplace events that accidentally arise before the camera in each one of these cities. Open perception, to allow one to blend in with day-to-day life in each place, and alertness, to pinpoint any one event that can possibly relate to the poem and that can reveal to what extent life is unpredictable and accidental.