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Jornal da Mostra
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31ª Mostra > 10/05/2008
Text: Leon Cakoff, for ‘Jornal da Mostra’
‘QUINZAINE’ AND ‘SEMAINE’ DISPUTE FOR ATTENTION
Two parallel selections dispute for attention every year in Cannes, with selections
as diversified and interesting as the competition. Many times the films in DIRECTOR’S
FORTNIGHT and the CRITICS’ WEEK will have a career. It is from their selections
that most of the times come the Caméra d’Or awards, granted to
first film directors.
The selection of the 40th DIRECTOR’S FORTNIGHT presents the following
selection of feature films:
Acne, by Federico Veiroj, Uruguay
Aquele querido mês de agosto, by Miguel Gomes, Portugal
Boogie, by Radu Muntean, Romania
Les Bureaux de Dieu, by Claire Simon, France
ElCant dels ocells, by Albert Serra, Spain
Four Nights With Anna, by Jerzy Skolimowski, France
De la guerre, by Bertrand Bonello, France
Dernier maquis, by Rabah Ameur-Zaïmeche, France
Eldorado, by Bouli Lanners, Belgium
Élève libre, by Joachim Lafosse, Belgium
Liverpool, by Lisandro Alonso, Argentina
Monsieur Morimoto, by Nicola Sornaga, France
Knitting, by Yin Lichuan, China
Now Showing, by Raya Martin, the Philippines
The Pleasure of Being Robbed, by Josh Safdie, USA
Il Resto della notte, by Francesco Munzi, Italy
Salamandra, by Pablo Aguero, Argentina
Shultes, by Bakur Bakuradze, Russia
Blind Loves, by Juraj Lehotsky, Slovakia
Lonely Tune of Tehran, by Saman Salour, Iran
Tony Manero, by Pablo Larrain, Chile
Le Voyage aux Pyrénées, by Jean-Marie and Arnaud
Larrieu, France
And the CRITICS’ WEEK’s selection will have Better Things,
by Duane Hopkins, United Kingdom – Germany; Das Fremde in mir,
by Emily Atef, Germany; Vse Umrut A Ja Ostanus, by Valeria
Gaï Guermanika, Russia; La sangre brota, by Pablo Fendrik,
Argentina – France; Les grandes personnes/ Grown Ups,
by Anna Novion, France – Sweden; Moscow, Belgium, by
Christophe Van Rompaey, Belgium; and Snijeg/ Snow, by Ainda
Begic, Bosnia-Herzegovina-Germany-France.
English version: Laura
Rebessi
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